Some days, I wish I had graduated from college and gone directly into publishing.
But then I read something like "The Three Jobs of the Modern Editor, or 36 Plates" by Sean deLone.
If you want to know just how much is required of today's in-house editors, read that.
I already respect what they do, but this behind-the-scenes look made me even more appreciative.
Plus, deLone writes, "If you hear authors and literary agents gripe that 'editors don’t edit anymore,' it’s because it’s becoming more and more common." Much of my job as an independent editor and collaborative writer is for that reason.
Also, deLone's recap here is a necessary reminder for anyone who writes:
"My dad is fond of recounting a Terry Gross interview in which she presses an ultra-marathoner, who went to the hospital only to return to finish (and win) an insanely long race, on what makes him tick. His answer: you got to love it. What is your secret though? Gross presses on. How do you find the mental capacity? What spiritual, philosophical, or metaphysical set of rules could you possibly pull from to find this reserve of energy to do something so mentally and physically taxing??? Well, he responds, pausing…You just got to love it."
The next time you pitch a publishing professional, don't take it personally if the reply takes a while (or never comes).
Do the work for the love of it.
Keep doing it.
Then be open to what happens next, whether bad or good.
In this game, persistence wins.
P.S. A few weeks ago, my son told me he does a certain thing when he reads, and I'd never heard of anyone doing that. Then this showed up in my feed, another person who does the same thing. Do you do that?
(Also, the bots aren't always listening, are they?)